All Thomas Gainsborough's oil paintings

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43297

Mr and Mrs. Andrews

mk170 circa 1750 Oil on canvas 69.8x119.4cm

42734

Mr. and Mr.s Andrews

MK169 ca. 1749 oil Paint on cloth 69.8x119cm

56118

mr.and mrs.andrews

mk247 c.1750,oil on canvas,27x47 in,70x119.5 cm,national gallery,london,uk

43296

Mr.and Mrs.William Hallett

mk170 1785 Oil on canvas 236.2x179.1cm

1310

Mrs Grace Elliot

1311

Mrs Lownds Stone

24263

Mrs Mary Robinson (mk25

1781

1299

Mrs Philip Thicknesse

1759-60 Cincinnati Art Museum, Ohio

1322

Mrs Richard Brinsley Sheridan

1785-87

58894

Mrs Thomas Hibbert. Neue Pinakothek.

Mrs Thomas Hibbert. Neue Pinakothek.

58919

Mrs. Richard B. Sheridan

Mrs. Richard B. Sheridan (1785-86)

53848

Mrs. Richard Brinsley Sheridan

mk234 1785/86 220x154cm

90562

Mrs. Siddons

TBD, will be updated Medium oil on canvas cjr

41348

Mrs.Grace Dalrymply Elliott

mk161 Oil on canvas

31816

Mrs.Peter william baker

mk76 Dated 1787 Oil on canvas 89 5/8x59 3/4in

40608

Mrs.Richard Brinsley Sheridan

mk156 1785 Oil on canvas 220x154cm

56152

mrs.richard brinsley sheridan

mk247 1785 to 87,oil on canvas,86.625x60.625 in,220x154 cm,national gallery of art,washington ,dc,usa

43298

Mrs.Siddons

mk170 1785 Oil on canvas 126.4x99.7cm

73846

Thomas Gainsborough, Oil painting by Thomas Gainsborough of Count Rumford who was an American born soldier, statesman, scientist, inventor and social reformer.

Oil painting by Thomas Gainsborough of Count Rumford who was an American born soldier, statesman, scientist, inventor and social reformer.

Oil painting by Thomas Gainsborough of Count Rumford (born Benjamin Thompson, 1753?C1814) who was an American born soldier, statesman, scientist, inventor and social reformer. 1783(1783) cjr

40950

Ox Cart by the Bands of a Navigable River

mk158 c.1758

40909

Peter Darnell Muilman Charles Crokatt and William Keable in a Landscape

mk158 c.1748

72493

Pfeiferauchender Bauer vor der Huttentur

Date 1788(1788) Medium Oil on canvas Dimensions Deutsch: 196 X 158 cm cyf

71371

Pfeiferauchender Bauer vor der Huttentxr

1788(1788) Oil on canvas 196 x 158 cm

40931

Portrai of Mary,Mrs John Vere

mk158 c.1752

40896

Portrait of a Girl and Boy

mk158 c.1745

40920

Portrait of a Girl and Boy

mk158 c.1745

1305

Portrait of a Lady in Blue 5

1770's The Hermitage, StPetersburg

78146

Portrait of a Woman

ca. 1750(1750) Oil on canvas cjr

40955

Portrait of a Young Woman

mk158 c.1759

40892

Portrait of Ann Ford

mk158 1760

40961

Portrait of Ann Ford

mk158 1760

77055

Portrait of Ann Ford

1760(1760) Oil on canvas 197 ?? 135 cm (77.6 ?? 53.1 in) cjr

48667

Portrait of artist-s Wife

mk191 about 1778 77x64.5cm

77961

Portrait of Carl Friedrich Abel

1777(1777) Medium Oil on canvas cyf

77984

Portrait of Carl Friedrich Abel

1777(1777) Medium Oil on canvas cyf

81811

Portrait of Carl Friedrich Abel

1765(1765) Medium Oil on canvas Dimensions 126.7 x 101.3 cm (49.9 x 39.9 in) cyf

76035

Portrait of Carl Friedrich Abel German composer

1777(1777) Oil on canvas cjr

79095

Portrait of Charles Wolfran Cornwall

1785(1785) or 1786(1786) Medium Oil cyf

79772

Portrait of Charles Wolfran Cornwall

1785(1785) or 1786(1786) Medium Oil cyf

77952

Portrait of Edward Ligonier

Date 1770(1770) Medium Oil on canvas cyf

76881

Portrait of Edward Ligonier, 1st Earl Ligonier

1770(1770) Oil on canvas cjr

40899

Portrait of Elizabeth and Charles Bedford

mk158 c.1746

78184

Portrait of Georgiana

1783(1783) Medium Oil on canvas cyf

76347

Portrait of Georgiana, Duchess of Devonshire

1783(1783) Oil on canvas cjr

74903

Portrait of Giovanna Baccelli

ca. 1782(1782) Oil on canvas 2,267 X 1,486 mm (89.25 X 58.5 in) cjr

76452

Portrait of Giovanna Baccelli

Date ca. 1782(1782) Medium Oil on canvas Dimensions 2,267 ?? 1,486 mm (89.25 ?? 58.5 in) cyf

78772

Portrait of Giovanna Baccelli

ca. 1782(1782) Oil on canvas 2,267 x 1,486 mm (89.25 x 58.5 in) cjr

77315

Portrait of Grace Elliott

1778(1778) Oil on canvas 234.3 ?? 153.7 cm (92.2 ?? 60.5 in) cjr

1300

Portrait of Henrietta Vernon 10

1766-67 Collection of the Duke of Westminster

40948

Portrait of Henry Wise

mk158 1758/9

40940

Portrait of Hon.Charles Hamilton

mk158 c.1756

77819

Portrait of James Christie

1778(1778) Oil on canvas 49.6 ?? 40.1 in (126 ?? 101.9 cm) cjr

77964

Portrait of James Christie

1778(1778) Oil on canvas 49.6 x 40.1 in (126 x 101.9 cm) cjr

81252

Portrait of James Christie

1778(1778) Medium Oil on canvas Dimensions 49.625 x 40.125 in (126 x 101.9 cm) cyf

82759

Portrait of Johann Christian Bach

1776(1776) Medium Oil on canvas Dimensions 75.5 x 62 cm (29.7 x 24.4 in) cyf

80313

Portrait of Johann Christian Fischer

ca. 1780(1780) Medium Oil on canvas cyf

81779

Portrait of Johann Christian Fischer

1780(1780) Medium Oil on canvas Dimensions 228.6 x 150.5 cm (90 x 59.3 in) cyf

78581

Portrait of Johann Christian Fischer German composer

ca. 1780(1780) Oil on canvas 228.6 x 150.5 cm (90 x 59.3 in) cjr

83129

Portrait of John Campbell

1767(1767) Medium Oil cyf

40919

Portrait of John Gainsbourough

mk158 before November 1748

40947

Portrait of John Sparrowe

mk158 c.1758

40929

Portrait of John Vere

mk158 c.1752

40930

Portrait of John Vere

mk158 c.1752

1296

Portrait of Jonathan Buttall

1770 The Huntington Art Collections, San Marino

79854

Portrait of Lady Georgiana Cavendish, Duchess of Devonshire

1787 cjr

78293

Portrait of Lady Margaret Georgiana Poyntz

ca. 1775(1775) Medium Oil cyf

76471

Portrait of Lady Margaret Georgiana Poyntz later Margaret Georgiana Spencer, Countess Spencer

ca. 1775(1775) cjr

40924

Portrait of Mr and Mrs Andrews

mk158 c.1750

77790

Portrait of Mr and Mrs Carter of Bullingdon House

ca. 1747−8(1747−8) Medium Oil on canvas cyf

75981

Portrait of Mr and Mrs Carter of Bullingdon House, Bulmer, Essex

ca. 1747−8(1747−8) Oil on canvas cjr

78640

Portrait of Mrs

1785-1786 Medium Oil on canvas Dimensions 220 x 154 cm (86.6 x 60.6 in) cyf

40960

Portrait of Mrs Margaret Gainsborough

mk158 c.1759

40944

Portrait of Revd Tobias Rustat

mk158 c.1757

40957

Portrait of Robert Nugent,Lord Clare

mk158 1759

80426

Portrait of Sarah Kirby

ca. 1751-1752 Medium Oil on canvas Dimensions 768 x 637 mm (30.24 x 25.08 in) cyf

81933

Portrait of Sarah Kirby

. 1751-1752 Medium Oil on canvas Dimensions 768 x 637 mm (30.24 x 25.08 in) cyf

77156

Portrait of Sarah Kirby and John Joshua Kirby

ca. 1751-1752 Oil on canvas 768 ?? 637 mm (30.24 ?? 25.08 in) cjr

40943

Portrait of Sarah,Mrs Tobias Rustat

mk158 c.1757

77173

Portrait of the Artist's Daughters

Probably painted in the early 1760s Oil cjr

58910

Portrait of the Composer Carl Friedrich Abel with his Viola da Gamba

Portrait of the Composer Carl Friedrich Abel with his Viola da Gamba (c. 1765)

40945

Portrait of The Hon,Richard Savage Nassau

mk158 c.1757

89419

Portrait of the painter Gainsborough Dupont

1770s Medium Oil on canvas cyf

75919

Portrait of the Queen Charlotte

1781(1781) Oil on canvas cjr

77713

Portrait of the Queen Charlotte

1781(1781) Medium Oil on canvas cyf

40958

Portrait of Uvedale Tomkins Price

mk158 c.1760

40956

Portrait of William Wollaston

mk158 c.1759

68408

Portrat der Mary Gainsborough, Tochter des Kunstlers

76 ?? 64,5 cm 1777

70496

Portrat der Mrs Richard B Sheridan

Medium Oil on canvas Dimensions Deutsch: 220 ?? 154 cm

68449

Portrat von Molly und Peggy mit Zeichenutensilien

c. 1760

70554

Portrat von Molly und Peggy mit Zeichenutensilien

Medium Oil on canvas

79952

Portrat von Mr und Mrs Andrews

1749-1750 Medium Oil on canvas Dimensions 69.08 x 119.04 cm (27.2 x 46.9 in) cyf

24265

Prince Edward Later Duke of Kent (mk25

1782

82767

Princess Augusta aged

1782(1782) Medium Oil on canvas Dimensions 59.4 x 44.1 cm (23.4 x 17.4 in) cyf

82912

Princess Elizabeth of the United Kingdom

1782(1782) Medium Oil on canvas Dimensions 59.4 x 44.1 cm (23.4 x 17.4 in) cyf

24257

Queen Charlotte (mk25)

1781

40906

Rest on the Way

mk158 1747

1313

Ritratto

1312

Ritratto di Giovane

70969

Ritt zum Markt

c. 1769 Oil on canvas 122 x 147 cm

58907

River Landscape

River Landscape

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Thomas Gainsborough

1727-1788 British Thomas Gainsborough Locations English painter, draughtsman and printmaker. He was the contemporary and rival of Joshua Reynolds, who honoured him on 10 December 1788 with a valedictory Discourse (pubd London, 1789), in which he stated: If ever this nation should produce genius sufficient to acquire to us the honourable distinction of an English School, the name of Gainsborough will be transmitted to posterity, in the history of Art, among the very first of that rising name. He went on to consider Gainsborough portraits, landscapes and fancy pictures within the Old Master tradition, against which, in his view, modern painting had always to match itself. Reynolds was acknowledging a general opinion that Gainsborough was one of the most significant painters of their generation. Less ambitious than Reynolds in his portraits, he nevertheless painted with elegance and virtuosity. He founded his landscape manner largely on the study of northern European artists and developed a very beautiful and often poignant imagery of the British countryside. By the mid-1760s he was making formal allusions to a wide range of previous art, from Rubens and Watteau to, eventually, Claude and Titian. He was as various in his drawings and was among the first to take up the new printmaking techniques of aquatint and soft-ground etching. Because his friend, the musician and painter William Jackson (1730-1803), claimed that Gainsborough detested reading, there has been a tendency to deny him any literacy. He was, nevertheless, as his surviving letters show, verbally adept, extremely witty and highly cultured. He loved music and performed well. He was a person of rapidly changing moods, humorous, brilliant and witty. At the time of his death he was expanding the range of his art, having lived through one of the more complex and creative phases in the history of British painting. He painted with unmatched skill and bravura; while giving the impression of a kind of holy innocence, he was among the most artistically learned and sophisticated painters of his generation. It has been usual to consider his career in terms of the rivalry with Reynolds that was acknowledged by their contemporaries; while Reynolds maintained an intellectual and academic ideal of art, Gainsborough grounded his imagery on contemporary life, maintaining an aesthetic outlook previously given its most powerful expression by William Hogarth. His portraits, landscapes and subject pictures are only now coming to be studied in all their complexity; having previously been viewed as being isolated from the social, philosophical and ideological currents of their time, they have yet to be fully related to them. It is clear, however, that his landscapes and rural pieces, and some of his portraits, were as significant as Reynolds acknowledged them to be in 1788.

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